[requested by ma-belle-evangelina]
Here are some inks of a couple of the Deadpool/Hawkeye pages appearing in the A+X story I’ve got coming out tomorrow.
You can check out the pencils here, and the colors here.
It’s an awesome story by Chris Hastings, with killer colors by Brad Anderson.
I should probably point out that the other story in the issue is written by Gerry Duggan and drawn by Salvador Larroca, and they ain’t so bad either, so make sure to grab yourself a copy!
Hawkeye - Clint BartonDo you like Hawkeye? Live To Rise Marvel RP - Click here to join.
Applications are always open.
What are studios looking for? How can I get into a good animation school? What should I be studying?
I get a lot of these types of questions now and again, and I never know how to answer them. I can’t be sure of what studios are looking for, I don’t control admissions policies to schools, and I have little idea what makes for a current and relevant curriculum. There are a lot of variables in your bid for a career in animation, and it’s kind of impossible to control most of them. You must be crazy to want this job!
I find it helpful to focus on the things I can control. Among those things are your study habits and how you spend your personal time. It’s good to work hard and have goals—without them we would get nowhere. Study hard and make decisive strides towards achieving your art goals. But in the heat of that pursuit, don’t forget to go out and live your life!
If you spend any amount of time looking at artists online, you’ve probably figured out by now that there are about a million dudes and dudettes in internetville who draw better than you (I relive this realization daily). Once your have done your best to rise to their level, the only tool you have to compete with these crazy talents is your background, your personal character—is you!
Consider developing your whole self with the same raw focus and intensity that you develop a particular skill set. Get focused. Go out, have adventures. Run, jump, skin your knee, fall in love, root loudly for the away team at a baseball game, barely escape a crash of stampeding rhinos, live to see another day. Experience things big and small. Go for a walk. The world is full of wonders.
I know this advice is not particularly animation-specific, but maybe that’s for the best. At any rate, it is something I feel strongly about. Animation is great, and there are few things that I enjoy doing more than drawing and storytelling. But in order to have stories to tell, first you have to live them.
Be good, and see you soon!
PS, if you were looking for advice on draftsmanship you should probably be reading this.
“Lilo and Stitch” 2002
Deleted Scene
Lilo plays a trick on the tourists.
IF YOU LIVED HERE YOU’D UNDERSTAND
I desperately need to understand
WHY
WHY WHY WHY WHY WHY WHY
Was this scene cut from the movie??!!
Fucking christ, do you know what this would have done? What this would have meant to SO MANY people?? The truth of this is devastating. And to think it almost found it’s way into a DISNEY film??
The inclusion of this scene alone would have made it the greatest animated feature the company ever produced. Easily. And if you think that’s hyperbolic clearly you don’t understand.
No, really, if anyone knows why this was cut PLEASE let me know.
oh man WHY WOULD they cut this, this is so great, holy MOLY
It was clearly something the crew was very reluctant to get rid of if it made it all the way to rough-clean (and in a few scenes clean!), fully inbetweened animation. That is like, thousands and thousands of dollars and weeks (months?!) of labour. Maybe a reluctant producer decided they would alienate their white middle-class American audiences by making them feel “too guilty” and pressed them to drop it? It’s unfortunate, it’s one of the most honest accounts of racism in a Disney movie (which is why it’s believable that someone got uncomfortable and made a case to get it chopped)
Designing entertainment by committee for maximum marketability is probably the most heartbreaking process in Hollywood.
I’ve been seeing this around my dash and think it deserves some more recognition!
This shit is hilarious, too.
NO WAIT SHIT
I GET IT NOW
I GET WHY SHE WAS PHOTOGRAPHING TOURISTS AS A HOBBY
SHE WAS BEING FUCKING SATIRICAL AND OBJECTIFYING
IT’S NOT BECAUSE SHE’S A DUMB KID WITH A WEIRD HOBBY IT’S BECAUSE THEY DO THAT TO HER AND HER FRIENDS AND FAMILY LIKE SHE’S SOME KIND OF FUCKING THEME PARK CHARACTER AND SHE WANTS THEM TO KNOW HOW IT FEELS
HOLY FUCKING DICKS DISNEY WHY WOULD YOU CUT THIS
I don’t tend to reblog too much (I’m old and don’t get you kids and yer damg nab tumblrs and google plusers) but I like Ira Glass and this is some GOOD ADVICE.
via putthison
Keep on fighting the good fight!
I’ve blogged this before but I think it’s something that bears remembering in the face of crushingly good art. At times you’ll think your stuff is rubbish. Possibly, it is rubbish. But it’ll never not be rubbish if all you do is sit around and complain about it.
So keep at it guys, love y’all.
Ira Glass speaks the truth.
been feeling so shitty about art lately (lol what else is new) but this little golden chunk of advice is so invaluable and correct. Love it. Take it to heart
(Source: leffjakin)
